The division of the Jain community into two great traditions, the Digambara (sky-clad) and the Svetambara (white-clad), is the most consequential institutional event in Jain history after the life of Mahavira. Tradition dates the formal schism to around 79 or 82 CE, roughly six centuries after Mahavira's liberation, though the underlying differences developed gradually over the preceding centuries and the exact process remains debated.
The most visible point of disagreement concerned monastic nudity. Digambaras hold that a true monk must renounce all possessions, including clothing, following what they regard as Mahavira's own practice, and that liberation is impossible without this complete detachment. Svetambaras maintain that monks may wear simple white garments and that nudity, while admirable, is not strictly required for liberation. This dispute over the ascetic's dress became the emblem of the entire division.
Closely tied to nudity was the question of whether women could attain liberation. Because Digambaras insist on total nudity for the highest ascetic path, and because social norms did not permit women to practise it, the Digambara position holds that a woman must first be reborn as a man before final liberation. Svetambaras reject this and affirm that women can attain liberation directly, pointing to the tradition that the nineteenth Tirthankara, Mallinatha, was a woman, a claim Digambaras deny.
The two traditions also diverged over scripture. Svetambaras preserve a canon of Agamas which they trace to Mahavira's teaching through his disciples, redacted at successive councils. Digambaras hold that the original teachings were gradually lost after the time of Bhadrabahu and that the surviving Svetambara Agamas are not authentic, relying instead on later authoritative texts by teachers such as Kundakunda and Umasvati. This disagreement over the very foundations of scripture deepened the separation.
Traditional accounts, especially from the Digambara side, link the origins of the split to a famine in Magadha during the Mauryan period. According to this narrative, the teacher Bhadrabahu led a group of monks southward to preserve strict discipline, while those who remained in the north under Sthulabhadra adapted their practice, including the acceptance of clothing, and later convened a council to reconstruct the scriptures. The returning southern monks refused to recognise these developments, and over generations the two communities crystallised into distinct orders.
Modern scholarship treats these accounts cautiously, seeing the schism as the outcome of a long process of divergence in practice, geography and interpretation rather than a single dramatic rupture. Regional separation, with Digambara strength in the south and the Deccan and Svetambara strength in the west and Gujarat, reinforced doctrinal difference over time.
Despite their divisions, both traditions share the essential Jain worldview: the eternal soul, the bondage of karma, the five great vows, the doctrine of many-sidedness and the goal of liberation. They venerate the same twenty-four Tirthankaras and observe overlapping festivals. The schism produced two rich and parallel streams of literature, art and monastic culture that between them preserved and developed Jainism across two millennia, each contributing distinctively to the tradition's survival and intellectual vitality.